bio
Emily Tanner-McLean (b. 1983) grew up on Long Island, NY, received her Bachelor of Studio Arts from New York University (2005), and has been based in Seattle since 2014. A lifelong artist, she had an adjacent career in arts administration and development for 13 years before returning to her art practice in 2018. Since then, she has exhibited in numerous group and solo shows, completed two residencies, received regional grants and press coverage, and has been awarded public art commissions for temporary and permanent works, including earning the first permanent video artwork installation at Seattle-Tacoma International Airport, commissioned by the Port of Seattle.
Emily’s work is deeply influenced by her coming of age at a time when media’s grip over culture exponentially grew with the rise of social media and smartphones in the 2000s. Having directly witnessed the 9/11 attacks at 18 and the U.S. media’s subsequent distortion of facts that contributed to the growth of an ultranationalist narrative of America, while simultaneously observing a then-nascent Facebook take hold on college campuses, she has long asked herself how digital media, video in particular, can be broken down and deployed as a means of supporting consciousness.

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EDUCATION
New York University, Bachelor of Studio Arts, 2005
New York University, Master of Public Administration, Cultural Policy Studies, 2013
SOLO EXHIBITIONS
M/OTHER, February 6 – March 15, 2025, Method Gallery, Seattle WA
Ghost Mass, December 2020 – February 2021, Glass Box Gallery, Seattle WA
For Those Who Have Seen the Elephant, May – August 2020, Inscape Arts and Cultural Center, Seattle WA
Rose/rose/rose/rose, January 18 – February 16, 2020, The Vestibule, Seattle WA
Follow Me Through Four Levels, November 2018, goCstudio, Seattle WA
GROUP EXHIBITIONS
Because...flowers, Gallery 1882, May 23 – July 28, 2026, Chesterton, IN
Call & Response: Collaboration, Cooperation and Community, July 3 – 26, 2025, Shift Gallery, Seattle WA
Eight Years of Inscape AiR: Resistance and Belonging out of the Historic Immigration Building, ARTS at King Street Gallery, June 5 – August 9, 2025, Seattle WA
Venus Figurines (1–4), 4Culture's 2024 Storefront Media Gallery program, March 6 – 31, 2024, Seattle WA
XO Seattle, part of Forest for the Trees at Railspur, July 22 – August 21, 2022, Seattle WA
Untitled group show, December 2, 2021 – January 14, 2022, The En Gallery, Seattle WA
Light and Graphite, December 11, 2021 – January 8, 2022, studio e gallery, Seattle WA
Series 001, August 20 – 22, 2021, Series 001 pop-up gallery, Seattle WA
Tree, a group exhibition curated by studio e gallery, June 2019, Vashon Center for the Arts, Vashon WA
Lungs/Limbs, January – February 2019, The Vatican at studio e gallery, Seattle WA
Peace By Piece, August 2005, Old Bank of Japan at Hiroshima Branch, Hiroshima, Japan
Peace By Piece, May 2005, Desbrosses Gallery, New York NY
PUBLIC PROJECTS
Venus Figurines (1–4), Redmond Lights 2024, Downtown Park, December 6 – January 6, Redmond WA
Point of Origin, Tides (2022), Port of Seattle public art commission, Seattle-Tacoma International Airport, WA
M/OTHER Light Box Triptych, 2023 Storefronts, a program of Shunpike, Seattle WA
woman is a word, A-side, 2021–22 Lusio Light's Shine on Seattle exhibition, Seattle WA
woman is a word, B-side, November 2021 – May 2022, Port of Seattle Headquarters, Pier 69, Seattle WA
HONORS + AWARDS
Recipient, 2027 Individual Artist Project Grant, 4Culture, King County, WA
City of Seattle Public Art Artist Roster, 2024–2026
Inscape Artist-in-Residence, February – August 2020, Inscape Arts and Cultural Center, Seattle WA
Centrum Foundation Artist-in-Residence, Fall 2019, Fort Worden, Port Townsend WA
NYU Alumni Representative and Participating Artist, Peace by Piece, a group exhibition at Bank of Japan, Hiroshima, for the 60th Anniversary of the atomic bombing of Hiroshima, Japan, August 2005